B. Gizem'le msn de konuşurken Teeth isimli filmden bahsetti ve nerelere geldik. Yaşasın copy paste. Hala link verme işini beceremiyorum ama ilerleme kaydettim.
Teeth is a black comedy horror film written and directed by Mitchell Lichtenstein, about a girl who has teeth in her vagina.
Central to the discussion of male cunt-hatred and womb-fear is the myth of the vagina dentata, "a motif occurring in certain primitive mythologies, as well as in modern surrealist painting and neurotic dream, which is known to folklore as 'the toothed vagina' - the vagina that castrates" (Joseph Campbell, 1976). The vagina dentata evokes the male castration complex, which in this instance is the fear that, once it has entered the vagina, the penis will be bitten off and consumed - the fear of "witches stealing men's penises with their vaginal teeth", as Catherine Blackledge puts it (2003). The vagina dentata myth is the most potent symbol of male "dread of the female genital" (HR Hays, 1964).
There are several possible explanations for the persistence of the vagina dentata myth, all of which relate to male fears of (symbolic) post-coital death: "man's fear of sexual intercourse with woman is based on irrational fears about the deadly powers of the vagina" (Barbara Creed, 1993).
An illustration by Alfred Kubin is a clear example of this fear, depicting a man with an erection diving into an oversized vagina as if it were a swimming pool. Kubin's title, Todessprung (1902), suggests that the male figure is leaping to his death. Semen can be said to symbolise life, thus the release of semen into the vagina may represent the transference of life from the penis to the vagina. Likewise, when the penis has ejaculated and withdrawn from the vagina, its flaccid state is perhaps symbolic of death when contrasted with its pre-penetration tumescence. The connection between sex and death is a well-established one: 'die' was an Elizabethan synonym for 'orgasm', 'go' was a Victorian colloquialism meaning 'orgasm' and 'die', and an orgasm is known as 'la petite mort' in France. Also relevant here is the previously discussed notion of the vagina as a harbinger of disease: perceived infections contracted from the vagina are perhaps symbolic of death. The central fear, however, is that of castration, that the vagina will bite off the penis during intercourse: "In the sexual act, the phallus is 'endangered' by the vagina. [...] The amorous act is the castration of the man" (Simon Reynolds and Joy Press, 1995)
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"Le Viol", Rene Magritte, 1934
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